by Coeli Carr | May 9, 2013
Citing parental and sibling resemblances is a bit of a family sport. But what happens when a child who really doesn’t look as though she’s from the same brood takes it step further to pull up what she had assumed were her roots? That’s the subject of Stories We Tell,... 
by Coeli Carr | May 9, 2013
The lush, lavish and raucous The Great Gatsby excels at making its point that nothing – absolutely nothing – was too deliriously large, expansive or optimistic for Jay Gatsby (Leonardo DiCaprio). That “J” on his business card? It’s simply a stand-in for Jupiter. Baz... 
by Coeli Carr | May 3, 2013
Films about futuristic weaponry typically fall neatly under the archetypes of Mars and Uranus: Mars for the fighting, metal and militarism. And Uranus for the visionary punch, including robotic machinations, of what’s to come. Most blow-’em-ups manage to cover the... 
by Coeli Carr | May 3, 2013
Early in The Iceman, crime boss Roy DeMeo (Ray Liotta) calls contract killer Richard Kuklinski (Michael Shannon) “cold as ice.” No one would argue that Kuklinski’s murderous proclivities emanate from the archetypal nether regions of Pluto, locked in the depths of the... 
by Coeli Carr | May 2, 2013
That old chestnut “Fly Me to the Moon” could easily have been the Moon-suffused melody of Season 1’s “The Americans.” In its finale, the Moon’s multi-layered definition of what and where the home is – across the sea, in the heart or both – came to a heady and bloody... 
by Coeli Carr | Apr 29, 2013
You won’t look at lemons the same way after seeing Love Is All You Need, the new romantic comedy from Danish director Susanne Bier. The yellow citrus, after its initial mouth-puckering sourness, transitions into a satisfying sweetness, the transformation audiences... 