by Coeli Carr | Sep 23, 2013
“Breaking Bad” has always been about the compartmentalization of Walter White’s motives. Caring for his family, so he says, propels him. But so does rising professionally, based on how he uses his chemist’s skill sets, no matter how many people’s lives he... 
by Coeli Carr | Sep 18, 2013
At the beginning of the novel The Road, Cormac McCarthy writes, “Nights dark beyond darkness and days more gray each one than what had gone before.” David M. Rosenthal’s A Single Shot is spectacularly gray – a gorgeously shot moody hue of a sky, replete with a... 
by Coeli Carr | Sep 9, 2013
A son’s being taught by his dad how to drive a car is one of those seminal steps to manhood. This celebrated ritual becomes a deadly foreboding in Blue Caprice, a film that tracks a murderous sniper spree conducted from inside that titular vehicle by a man and the... 
by Coeli Carr | Aug 21, 2013
There’s a reason they call it “filthy lucre,” and in “Buried,” the most recently aired episode of “Breaking Bad,” the term is an especially apt archetypal gut punch. Derived from the Latin word lucrum, which means monetary or other wealth-related gain, “lucre” is a... 
by Coeli Carr | Aug 20, 2013
In The Mortal Instruments: City of Bones, New York City has been given an in-depth makeover that’s literally as deep as hell. Based on the first novel in the series by Cassandra Clare, the movie, set in modern times and directed by Harald Zwart, takes us to a... 