by Coeli Carr | Oct 18, 2013
When slavery is the subject of a film or other media, the assumption is black men and women have been held captive by a master and that freedom is an imagined, longed-for taste which they may never experience. In Steve McQueen’s 12 Years a Slave, there’s an ugly... 
by Coeli Carr | Oct 18, 2013
You won’t find a more graceful Saturn archetype than the one expressed in J. C. Chandor’s All Is Lost, a movie – more like a cinematic meditation – about Saturnine wisdom, solitude, old age, endurance, survival and mortality. The carrier of these traits, as referred... 
by Coeli Carr | Oct 11, 2013
On the way to his assignment to commandeer the massive U.S. cargo ship Maersk Alabama on a transport run in 2009, Captain Richard Phillips (Tom Hanks) and his wife (Catherine Keener) discuss the futures of their almost grown children and how quickly the world is... 
by Coeli Carr | Oct 2, 2013
In Alfonso Cuarón’s thriller Gravity, the title is a loaded word. In outer space, you’re free of that force of attraction between masses, that sense of grounding represented by Saturn. And yet in the case of NASA medical engineer Ryan Stone (Sandra Bullock), maybe... 
by Coeli Carr | Oct 1, 2013
In a previous “Breaking Bad” post, I wrote about Walter White’s three sons – one biological and two metaphoric – as well as an illegitimate fourth. That would be his meth-child Baby Blue. My taking liberties with the heirs of the White name is, of course,... 