by Coeli Carr | Sep 3, 2013
As soon as heterosexual boys hit a certain age, erotically feminine and Venusian attributes so highly prized in girlfriends become horrifically taboo when displayed and confidently owned by their own mothers. Of course, these restriction don’t necessarily apply to... 
by Coeli Carr | Sep 3, 2013
Can a movie about national and international typing competitions be a sly nod to Uranian equality in the workplace and female egalitarianism and independence? Mai oui! That’s the message of Populaire, a frothy and visually delicious French delight, directed by Régis... 
by Coeli Carr | Sep 2, 2013
Neptune, slippery mythological god of the sea, illusion, chemistry and all things fluid, assertively controlled “Rabid Dog,” the mid-point final-season episode of “Breaking Bad.” Even the carpet was audibly squishy, a nod to the god’s – Poseidon to the Greeks –... 
by Coeli Carr | Aug 26, 2013
In biblical times, being sorry for your sins wasn’t enough. A more conclusive way of making that point was metaphorically loading up the head of a goat – the scapegoat or patsy – with the entire village’s package of wrongdoings and sending the creature out to Belize –... 
by Coeli Carr | Aug 26, 2013
When catastrophe strikes, how deeply are those in charge willing to dig for the truth? That’s the issue explored in Closed Circuit, directed by John Crowley, which starts off by plunging the viewer into a large-scale, 9-11-type terrorist attack in London. The apparent... 
by Coeli Carr | Aug 23, 2013
In “The Bridge,” the gritty new television drama, Diane Kruger plays Sonya Cross, a detective in the El Paso police department who works closely with a Mexican law enforcement agent (Demian Bichir). Sonya is an effective professional whose conversations and comments... 