by Coeli Carr | Nov 11, 2013
People are quick to spit out old-people adjectives. Stubborn. Demanding. Irrational. In Alexander Payne’s Nebraska, Woody Grant (Bruce Dern) wears those descriptives proudly and even defiantly. His senior traits ignite, generating mayhem among those who love him and...
by Coeli Carr | Nov 7, 2013
Books, storytelling and theft are the perfect Mercurial trifecta that’s the heart of The Book Thief, a movie directed by Brian Percival and based on the global best-selling novel about a little girl growing up in Nazi Germany. Little Liesel (Sophie Nelisse)...
by Coeli Carr | Nov 1, 2013
Who hasn’t ever wanted a do-over to rectify a mistake, poor decision or hurt? In About Time, directed by Richard Curtis, the lucky men in the Lake family can indeed go cosmically back into their personal pasts for life-redirecting fixer-uppers. Young British lawyer...
by Coeli Carr | Nov 1, 2013
When we first set eyes on Ron Woodroof during the opening moments of Dallas Buyers Club, a film directed by Jean-Marc Vallée that was inspired by Woodroof’s true story, he’s immediately recognizable as a freedom-loving and non-mainstream figure who’s Uranian to the...
by Coeli Carr | Oct 24, 2013
Directed by Ridley Scott, with a screenplay by novelist Cormac McCarthy, The Counselor is populated by one innocent and a bunch of other characters stretching between El Paso and Juarez who, on the morality scale, range from common baddies to outright demons. The...
by Coeli Carr | Oct 18, 2013
When slavery is the subject of a film or other media, the assumption is black men and women have been held captive by a master and that freedom is an imagined, longed-for taste which they may never experience. In Steve McQueen’s 12 Years a Slave, there’s an ugly...