by Coeli Carr | Nov 11, 2013
People are quick to spit out old-people adjectives. Stubborn. Demanding. Irrational. In Alexander Payne’s Nebraska, Woody Grant (Bruce Dern) wears those descriptives proudly and even defiantly. His senior traits ignite, generating mayhem among those who love him and...
by Coeli Carr | Oct 1, 2013
In a previous “Breaking Bad” post, I wrote about Walter White’s three sons – one biological and two metaphoric – as well as an illegitimate fourth. That would be his meth-child Baby Blue. My taking liberties with the heirs of the White name is, of course,...
by Coeli Carr | Sep 19, 2013
Do you remember the prophetic scene in Raiders of the Lost Ark in which Dr. Marcus Brody tells Indiana Jones not to mess with the Ark of the Covenant? Jones saw no reason to respect spiritual order or the Ark’s energy to take care of itself, and he paid dearly. A...
by Coeli Carr | Sep 17, 2013
Under the guise of a middle-age romance, Enough Said is really a movie about broad-based boundary issues poorly handled by adults who should know better. Sharply written and directed by Nicole Holofcener, Enough Said centers on Eva (Julia Louis-Dreyfus), a single mom...
by Coeli Carr | Sep 2, 2013
Neptune, slippery mythological god of the sea, illusion, chemistry and all things fluid, assertively controlled “Rabid Dog,” the mid-point final-season episode of “Breaking Bad.” Even the carpet was audibly squishy, a nod to the god’s – Poseidon to the Greeks –...
by Coeli Carr | Aug 20, 2013
In The Mortal Instruments: City of Bones, New York City has been given an in-depth makeover that’s literally as deep as hell. Based on the first novel in the series by Cassandra Clare, the movie, set in modern times and directed by Harald Zwart, takes us to a...