by Coeli Carr | Apr 28, 2014
Can a sacrificial offering really count if the person making the gesture has no clear idea of the value of what’s she’s giving up? That’s the question at the heart – literally – of Pawel Pawlikowski’s Ida, a Polish-language movie whose breathtakingly austere black... 
by Coeli Carr | Apr 21, 2014
There’s no end to the drama that can place in the confines of an automobile. Drag racing, sudden death and frisky mayhem in the back seat are only a partial vehicular legacy. But if you’re looking for the “Mother of Car Movies,” it’s Locke, a riveting piece of cinema... 
by Coeli Carr | Feb 11, 2014
For movie goers with a penchant for archetypes, the original RoboCop (1987), directed by Paul Verhoeven, was the ultimate Aquarian-Age piece of celluloid. The preceding Age of Pisces was all about connecting with the Son of God (Pisces) through his mother (Virgo). The... 
by Coeli Carr | Feb 7, 2014
A war movie, The Monuments Men uses the Martian warrior archetype not to machine-gun soldiers to their deaths but rather to save, recover and ultimately return to their rightful owners a staggering amount of art work stolen by the Nazis during World War II. And,... 
by Coeli Carr | Jan 24, 2014
In the opening moments of the Chilean movie Gloria, the titular character, divorced for a decade and who’s pushing the older side of middle-age, is at an demographically appropriate nightclub in Santiago. With drink in hand, she’s unashamedly fishing for a man. But... 
by Coeli Carr | Dec 26, 2013
At the heart of August: Osage County, directed by John Wells, is an ugly metaphor for what ails the Weston family. We learn soon enough that Violet (Meryl Streep), the clan’s matriarch and Lunar symbol, is terminally ill with cancer of the mouth, the body part which... 