by Coeli Carr | Feb 11, 2014
For movie goers with a penchant for archetypes, the original RoboCop (1987), directed by Paul Verhoeven, was the ultimate Aquarian-Age piece of celluloid. The preceding Age of Pisces was all about connecting with the Son of God (Pisces) through his mother (Virgo). The... 
by Coeli Carr | Feb 7, 2014
A war movie, The Monuments Men uses the Martian warrior archetype not to machine-gun soldiers to their deaths but rather to save, recover and ultimately return to their rightful owners a staggering amount of art work stolen by the Nazis during World War II. And,... 
by Coeli Carr | Jan 24, 2014
In the opening moments of the Chilean movie Gloria, the titular character, divorced for a decade and who’s pushing the older side of middle-age, is at an demographically appropriate nightclub in Santiago. With drink in hand, she’s unashamedly fishing for a man. But... by Coeli Carr | Jan 20, 2014
There’s something extraordinarily self-contained about the non-descript, scrawny-pined beach and parking lot in Alain Guiraudie’s Stranger by the Lake. The area’s caché – it’s an enclave for gay-cruising – is revealed quickly. However, this French lakeside... 
by Coeli Carr | Dec 27, 2013
As mobile technological devices and their owners increasingly spend every waking minute together, they both eventually seem to exude a certain mated-for-life aura. So, exactly how far-fetched is the likelihood of genuinely falling in love with one’s companion-gadget?... 
by Coeli Carr | Dec 26, 2013
At the heart of August: Osage County, directed by John Wells, is an ugly metaphor for what ails the Weston family. We learn soon enough that Violet (Meryl Streep), the clan’s matriarch and Lunar symbol, is terminally ill with cancer of the mouth, the body part which... 