by Coeli Carr | May 14, 2013
Noah Baumbach’s Frances Ha is a tribute to both the magic that happens when love and work are well integrated in a person’s life, and the chaos that ensues when either or both of these elements are out of sync. Twenty-seven-year-old Frances (Greta Gerwig, who also... 
by Coeli Carr | May 13, 2013
Could Don Draper’s hostage-taking of Sylvia, his mistress, have been an unconscious plan to get her to end their affair? Given his warped sexual appetite and taste for Pluto control, yes, it was. At the beginning of the episode, “Man with a Plan,” Don (Jon... 
by Coeli Carr | May 9, 2013
Citing parental and sibling resemblances is a bit of a family sport. But what happens when a child who really doesn’t look as though she’s from the same brood takes it step further to pull up what she had assumed were her roots? That’s the subject of Stories We Tell,... 
by Coeli Carr | May 9, 2013
The lush, lavish and raucous The Great Gatsby excels at making its point that nothing – absolutely nothing – was too deliriously large, expansive or optimistic for Jay Gatsby (Leonardo DiCaprio). That “J” on his business card? It’s simply a stand-in for Jupiter. Baz... 
by Coeli Carr | May 3, 2013
Films about futuristic weaponry typically fall neatly under the archetypes of Mars and Uranus: Mars for the fighting, metal and militarism. And Uranus for the visionary punch, including robotic machinations, of what’s to come. Most blow-’em-ups manage to cover the... 
by Coeli Carr | May 3, 2013
Early in The Iceman, crime boss Roy DeMeo (Ray Liotta) calls contract killer Richard Kuklinski (Michael Shannon) “cold as ice.” No one would argue that Kuklinski’s murderous proclivities emanate from the archetypal nether regions of Pluto, locked in the depths of the... 