by Coeli Carr | Sep 16, 2013
The title of last night’s “Breaking Bad” episode, “Ozymandias,” comes from Percy Bysshe Shelley’s short poem about an ancient ruler commemorated in a sculpture which, like his kingdom, has disintegrated. The pedestal, still intact, reads, “My name is Ozymandias, king... 
by Coeli Carr | Sep 9, 2013
A son’s being taught by his dad how to drive a car is one of those seminal steps to manhood. This celebrated ritual becomes a deadly foreboding in Blue Caprice, a film that tracks a murderous sniper spree conducted from inside that titular vehicle by a man and the... 
by Coeli Carr | Sep 9, 2013
When cultural values and expectations are slavishly upheld but not adhered to, there’s a good chance, out of desperation, that deceit will worm its way into the proceedings. That’s the situation Adenike (Danai Gurira) must maneuver in Mother of George, directed by... 
by Coeli Carr | Sep 9, 2013
Although last night’s “To’hajiilee” ended in a Mars-fueled gun duel, the episode was a Mercurial feast, involving just about every activity connected with the planetary messenger of the gods. It’s a long list: written, spoken and visual communication, devices... 
by Coeli Carr | Sep 3, 2013
As soon as heterosexual boys hit a certain age, erotically feminine and Venusian attributes so highly prized in girlfriends become horrifically taboo when displayed and confidently owned by their own mothers. Of course, these restriction don’t necessarily apply to... 
by Coeli Carr | Sep 3, 2013
Can a movie about national and international typing competitions be a sly nod to Uranian equality in the workplace and female egalitarianism and independence? Mai oui! That’s the message of Populaire, a frothy and visually delicious French delight, directed by Régis... 