by Coeli Carr | Aug 23, 2013
In “The Bridge,” the gritty new television drama, Diane Kruger plays Sonya Cross, a detective in the El Paso police department who works closely with a Mexican law enforcement agent (Demian Bichir). Sonya is an effective professional whose conversations and comments... 
by Coeli Carr | Aug 9, 2013
Aside from the denim they’re made from, what’s fashion-forward about overalls? Not much. Which is why their appearance in two movies opening today make them food for thought. It’s easy to characterize overalls as Neptunian – so roomy that you can’t tell where they end... by Coeli Carr | Aug 6, 2013
In We’re the Millers, the white eyelet blouse worn by Rose, played by Jennifer Aniston, is a clever costume ploy designed to instantly telegraph character. Rose, a stripper by profession, has no illusions about nudity. But when new sexual demands at the club force her... 
by Coeli Carr | Jul 14, 2013
Pacific Rim smartly makes its “doubles” and “twinning” Gemini themes, ruled by Mercury, a core part of the movie. The plot involves paired Jaeger pilots, two minds communicating in The Drift, neural handshakes, fathers and sons, brother and brother, and dual... 
by Coeli Carr | May 15, 2013
The classic pencil skirt worn by Greta Gerwig’s Frances, the lovable 27-year-old gal-in-transition heroine in the new movie Frances Ha, is an aspirational one for this character. Her life is sprawling out of control, as she experiences unstable housing arrangements, a... 
by Coeli Carr | Apr 18, 2013
Victoria’s (Andrea Riseborough) minimalist, high-altitude office in Oblivion may be an irritably long commute but you’ll covet her snappy, gray dress that’s a perfect fit for both the horizontal monitor board and the board room. Under the aegis of the movie’s costume... 