Astrology: Television: ‘Breaking Bad’ Finale: Walter White’s ‘My Three Sons’

Oct 1, 2013

AMC

AMC

With a nod to television’s iconic “My Three Sons” – Fred MacMurray played an engineer and widower with three biological male offspring to raise – “Breaking Bad” gave Walter White three different young men in need of a father figure. Walt Jr., who renamed himself Flynn, is Walt’s only biological son. A high school student, Flynn has cerebral palsy, and has been his cancer-stricken dad’s enthusiastic supporter from the start. His mother Skyler has hidden Walt’s criminality from the teen who, for most of the series, has personified innocence and gullibility, hallmarks of Neptune.

However, in the series’ final episodes, after Flynn has been told the truth about his dad’s criminality, Junior totally pulls away from his father. He accuses him of killing Hank, calls the cops when Walt wrestles with Skyler and yells at him to die already. Over this brief period of time, Flynn becomes the family’s patriarch – the Sun.

Despite so much speculation that the series would sacrifice Flynn – so the child would pay for the sins of the father – Flynn survives. And through Walt’s cannily arranging a future “donation” from the Gray Matter Schultzes, Flynn, as Walt’s biological heir, can later use his wounded-healer status to pull the rest of what’s left of his family together.

If Flynn exudes Neptunian energy, then Jesse is all temperamental Mars and erratic Uranus. When Walt decides to cook meth, he knows he needs a link to the outside world, typically an activity performed by the father who encourages his offspring to step beyond the home and family. Jesse is hot-headed, the sort of truant child a father figure like Walt cannot abandon, even though Walt arranged for a hit on him.

Jesse, who typically addresses Walt as Mr. White more out of habit than respect, eventually finds out how Walt has killed or nearly killed people whom Jesse loved and vows never again to do anything Walt asks of him. In the finale, Walt, who has been fatally wounded during a shoot-up while protecting Jesse, gives Jesse an opportunity to kill him. Jesse, by telling Walt to do it himself, is finally free. Driving away from the white supremacists’ meth compound, after acknowledging Walt’s existence with barely a nod, Jesse finally leaves home.

Todd, a young man who was part of a contingent of neo-Nazis Walt hired to advance his meth business, is an end-justifies-the-means Saturnine individual cut from the same cloth as Walt. Expansive in his appetites for more (Jupiter), Todd is the true son of Heisenberg who enslaves Jesse to cook meth for him. Unfortunately, that behavior doesn’t set well with what remains of Walter White.

In a bit of “Breaking Bad” trickery, now’s the time to mention Walt’s fourth and illegitimate son. In the finale – after Walt had said his last goodbye to Holly and watched Flynn come home from school for the final time – Walt saves his ultimate expression of affection for Baby Blue (via Badfinger). Like any proud father who sees his genes animate the faces of his children, Walt looks at his own visage in the bright mirrored steel of  a piece of meth equipment.

In the same way mythical Cronus ate his kids, Walter White ruins the lives of Walt Jr. and Jesse, and kills Todd. But Baby Blue is the child that kept giving. Collectively, the meth, the process and the machinery is the son Walter White cherished the most.

Astrology Television Review: ♄ (Saturn)

Facebook Twitter Email

Recent Posts

Archetypes: Film: Review: ‘Gone Girl’ (2022)

Containers abound in Gone Girl, directed by David Fincher and based on the popular novel by Gillian Flynn, who wrote the screenplay. There are envelopes, which hold the clues for the treasure hunt Amy Elliott Dunne (Rosamund Pike) has prepared for her husband Nick...

Archetypes: Film: Review: ‘The Giver’ (2014)

Many people refer to their homeland as the mother country. Those people didn’t know The Chief Elder, a matriarch as stern as they come who’s running the show in the country depicted in The Giver. Directed by Philip Noyce and based on the YA book by Lois Lowry, The...

Archetypes: Film: Review: ‘Get On Up’ (2014)

It’s all there. The riffs, the shoes that swivel maniacally as though greased, the slurrified words, the clipped throaty growls. But Tate Taylor’s Get On Up, the biopic of soul-funk innovator and icon James Brown, ups the ante by letting us see the legend living out...

Archetypes: Film: Review: ‘The Congress’ (2014)

Can the veil that separates Saturnine corporeal reality from the transcendent Neptunian realm actually be a cruel trick devised by Hollywood moguls? Yes, indeed, and it’s the premise of Ari Folman’s part live-action, part animated film The Congress, loosely based on...

Archetypes: Film: Review: ‘Calvary’ (2014)

Everyone has a cross to bear. But a parish priest tending his flock in Ireland’s County Sligo has really gotten more than his share in Calvary, a movie that addresses archetypal Pluto issues of power, abandonment and revenge, as well as Neptune themes of sacrifice and...

Archetypes: Film: Review: ‘Lucy’ (2014)

Luc Besson’s new sci-fi thriller Lucy could easily have been titled Mercury in Hyperdrive, a breathless tale about the archetype that rules thought and communication gone cinematically ballistic. Bigger, faster and stronger describe the new-and-improved mental...

Archetypes: Film: Review: ‘A Most Wanted Man’ (2014)

The grim espionage business relies, for its success, on Neptunian deception and Plutonic penetration of secrets. The most clever master spies throw a third archetype into the mix: the Saturnine User, who’ll exploit the captured by making them spy on their own people...

Archetypes: Film: Review: ‘Magic in the Moonlight’ (2014)

If art is the beautiful lie, can love also be ushered into existence by duplicity? That’s the question at the center of Magic in the Moonlight, a movie inspired by early 20th century Europe’s fascination with spiritualism, seances and communicating with the dead....

Archetypes: Film: Review: ‘I Origins’ (2014)

The old adage – that the eyes are the gateway to the soul – gets all scienced up in I Origins, a movie that asks whether Saturnine, data-driven science trumps knowledge that bypasses logic. Directed and written by Mike Cahill, the movie’s core question – Can reality...

Archetypes: Film: Review: ‘Dawn of the Planet of the Apes’ (2014)

In the annals of history, many liberators of the oppressed freed their citizenry only to become tyrants themselves. It’s this age old cycle of restrictive Saturn sidling up to revolutionary Uranus – a rhythm that topples and rebuilds civilizations – that’s at the core...

Archetypes: Film: Review: ‘Boyhood’ (2014)

For most of us, life is way too busy to allow for keen observations of minute gradations of growth and blossoming of family members, friends and other significant individuals who help grace our time on the planet. Perhaps it’s for this reason – our lack of attention...

Archetypes: Film: Review: ‘Tammy’ (2014)

Mention the word “Tammy” and “movies” in the same breath and, with any luck, the visuals that come to mind center on Debbie Reynolds’ vocal rendition of the song “Tammy,” put to exquisite use by Terence Davies in his The Long Day Closes (1992). Reynolds’ tune is that...

Astrology: Film: Review: ‘Happy Christmas’ (2014)

As an exploration of the gifts and curses of creative vision, nothing beats the short, snappy Happy Christmas. Written and directed by Joe Swanberg, the movie takes a hard look at what happens when archetypal Neptune – whose bailiwick is artistic inspiration, music,...

Astrology: Film: Review: ‘Venus in Fur’ (2014)

If you couldn’t get enough of Jack Baker’s (Jeff Bridges) cinematic jaw-drop in The Fabulous Baker Boys, as soon as seemingly tone-deaf loser and gum-snapping chanteuse Suzie Diamond (Michelle Pfeiffer) starts to soulfully warble her heart out and blow him away,...

Astrology: Film: Review: ‘How to Train Your Dragon 2’ (2014)

Is every critter, human or otherwise, trainable? And, because training elevates the game and aptitude of the instructed, does the core essence of tutored trainees remain the same? Those questions – as well as Saturnine boundary issues about whether to label entities...

Astrology: Film: Review: ‘The Rover’ (2014)

Set in a post-apocalyptic world in the Australian Outback, The Rover is a Saturnine story about two archetypal loners, each having suffered a huge personal loss that needs to be rectified in a land where procedural justice is a thing of the past. Written and directed...