Astrology: Television: ‘Breaking Bad’: How It Ends

Sep 23, 2013

AMC

AMC

Jesse’s futile escape attempts in last night’s “Granite State” – using a paper clip as makeshift key to uncuff himself, hoisting himself up to make it out of his underground prison, and just almost climbing over what seemed to be a mile-high wire fence – set me thinking about a scene in the “Breaking Bad” pilot.

Chemistry teacher Walt has tried to distract himself from his lung cancer diagnosis by accompanying his DEA brother-in-law Hank on a DEA drug bust. While he sits in the squad car, Walt spots his former flunky student Jesse Pinkman fleeing the scene by escaping through a window. Walt, who sees an opportunity to cook and profit from a high-grade meth through Jesse’s knowledge of the drug trade, makes Jesse an ultimatum the kid can’t refuse.

Even five seasons ago, Jesse was Walt’s captive.

I’m not saying Walt and the Aryans who most recently thwarted Jesse’s plans are one in the same – although each is tied 1-1 for having killed the two women most important to Jesse – but there’s something about the metaphor of escape that makes me wonder whether Vince Gilligan is going to use a big bad escape metaphor in the series’ finale next week to evoke that moment in the pilot.

Escape is inexorably tied to freedom, the bailiwick of Uranus. Walt was after emotional and financial liberation, eager to emancipate himself from disinterested high school students and a string of slim paychecks not enough to cover the bills and allow him control over his own life. And as for free-spirit Jesse’s drug dealing, you can’t beat the hours and not having to pay taxes.

Vince Gilligan is too smart and meticulous a writer to not have these two characters maneuver back to where they started. Many viewers have speculated that Walt will “free” Jesse from Todd’s literal shackles. And Walt, increasingly weaker from his cancer – his weight loss, which has caused his wedding ring to fall off his finger, metaphorically frees him from Skyler – is reaching a point where he can’t help but see death as a liberation.

My money’s on Gilligan having taken a certain passage from T.S. Eliot’s “Little Gidding” to heart:

We shall not cease from exploration
And the end of all our exploring 
Will be to arrive where we started 
And know the place for the first time. 

The poem also refers to “the unknown, unremembered gate.” Next week both Walt and Jesse are going to pass through it, one way or the other. And, boy, will we remember it.

Astrology Television Rating: ♅ (Uranus)

Facebook Twitter Email

Recent Posts

Archetypes: Film: Review: ‘Gone Girl’ (2022)

Containers abound in Gone Girl, directed by David Fincher and based on the popular novel by Gillian Flynn, who wrote the screenplay. There are envelopes, which hold the clues for the treasure hunt Amy Elliott Dunne (Rosamund Pike) has prepared for her husband Nick...

Archetypes: Film: Review: ‘The Giver’ (2014)

Many people refer to their homeland as the mother country. Those people didn’t know The Chief Elder, a matriarch as stern as they come who’s running the show in the country depicted in The Giver. Directed by Philip Noyce and based on the YA book by Lois Lowry, The...

Archetypes: Film: Review: ‘Get On Up’ (2014)

It’s all there. The riffs, the shoes that swivel maniacally as though greased, the slurrified words, the clipped throaty growls. But Tate Taylor’s Get On Up, the biopic of soul-funk innovator and icon James Brown, ups the ante by letting us see the legend living out...

Archetypes: Film: Review: ‘The Congress’ (2014)

Can the veil that separates Saturnine corporeal reality from the transcendent Neptunian realm actually be a cruel trick devised by Hollywood moguls? Yes, indeed, and it’s the premise of Ari Folman’s part live-action, part animated film The Congress, loosely based on...

Archetypes: Film: Review: ‘Calvary’ (2014)

Everyone has a cross to bear. But a parish priest tending his flock in Ireland’s County Sligo has really gotten more than his share in Calvary, a movie that addresses archetypal Pluto issues of power, abandonment and revenge, as well as Neptune themes of sacrifice and...

Archetypes: Film: Review: ‘Lucy’ (2014)

Luc Besson’s new sci-fi thriller Lucy could easily have been titled Mercury in Hyperdrive, a breathless tale about the archetype that rules thought and communication gone cinematically ballistic. Bigger, faster and stronger describe the new-and-improved mental...

Archetypes: Film: Review: ‘A Most Wanted Man’ (2014)

The grim espionage business relies, for its success, on Neptunian deception and Plutonic penetration of secrets. The most clever master spies throw a third archetype into the mix: the Saturnine User, who’ll exploit the captured by making them spy on their own people...

Archetypes: Film: Review: ‘Magic in the Moonlight’ (2014)

If art is the beautiful lie, can love also be ushered into existence by duplicity? That’s the question at the center of Magic in the Moonlight, a movie inspired by early 20th century Europe’s fascination with spiritualism, seances and communicating with the dead....

Archetypes: Film: Review: ‘I Origins’ (2014)

The old adage – that the eyes are the gateway to the soul – gets all scienced up in I Origins, a movie that asks whether Saturnine, data-driven science trumps knowledge that bypasses logic. Directed and written by Mike Cahill, the movie’s core question – Can reality...

Archetypes: Film: Review: ‘Dawn of the Planet of the Apes’ (2014)

In the annals of history, many liberators of the oppressed freed their citizenry only to become tyrants themselves. It’s this age old cycle of restrictive Saturn sidling up to revolutionary Uranus – a rhythm that topples and rebuilds civilizations – that’s at the core...

Archetypes: Film: Review: ‘Boyhood’ (2014)

For most of us, life is way too busy to allow for keen observations of minute gradations of growth and blossoming of family members, friends and other significant individuals who help grace our time on the planet. Perhaps it’s for this reason – our lack of attention...

Archetypes: Film: Review: ‘Tammy’ (2014)

Mention the word “Tammy” and “movies” in the same breath and, with any luck, the visuals that come to mind center on Debbie Reynolds’ vocal rendition of the song “Tammy,” put to exquisite use by Terence Davies in his The Long Day Closes (1992). Reynolds’ tune is that...

Astrology: Film: Review: ‘Happy Christmas’ (2014)

As an exploration of the gifts and curses of creative vision, nothing beats the short, snappy Happy Christmas. Written and directed by Joe Swanberg, the movie takes a hard look at what happens when archetypal Neptune – whose bailiwick is artistic inspiration, music,...

Astrology: Film: Review: ‘Venus in Fur’ (2014)

If you couldn’t get enough of Jack Baker’s (Jeff Bridges) cinematic jaw-drop in The Fabulous Baker Boys, as soon as seemingly tone-deaf loser and gum-snapping chanteuse Suzie Diamond (Michelle Pfeiffer) starts to soulfully warble her heart out and blow him away,...

Astrology: Film: Review: ‘How to Train Your Dragon 2’ (2014)

Is every critter, human or otherwise, trainable? And, because training elevates the game and aptitude of the instructed, does the core essence of tutored trainees remain the same? Those questions – as well as Saturnine boundary issues about whether to label entities...

Astrology: Film: Review: ‘The Rover’ (2014)

Set in a post-apocalyptic world in the Australian Outback, The Rover is a Saturnine story about two archetypal loners, each having suffered a huge personal loss that needs to be rectified in a land where procedural justice is a thing of the past. Written and directed...